- They can print no more than 250 pages in each book.
- Each book costs $1.55 for binding.
- There's no cost for color or black and white as long as they print the job in-house.
- They need 2-3 weeks for production.
Monday, March 15, 2010
Contact with Xerox, to print books of essays and abstracts
Creating a Poster with Columbia's Creative Services
Monday, March 8, 2010
class still struggling to find precision
They seem to see detail and specifics, the work of making something particular as akin to repetition. Or they think the reader "already knows."
The library was helpful, for me because I saw them discuss--for the first time--their subjects without my guidance. This was scary too: a few of them really didn't seem to grasp their subjects and looked to me for help. I am working to make them more dependent on peer groups for this "help" status.
Next class, I am rewriting their "topics" and "questions" on the board and showing them the ways they've already specified it. Then, asking, if this was accidental, if they were aware of that precision, and why they are returning to "large idea" instead of really interesting inquiry.
Scott McCloud's Ted Talk on comics is something I imagine will help.
Sunday, March 7, 2010
Creating a poster for the symposium



Critical Encounters Mini-Grant
1. A brief (500 words or less) description of your proposed event/project/reason for requesting the mini-grant funding.
In Writing & Rhetoric II, students work the entire semester toward a 12- to 15-page researched discovery essay. This semester, we will require our students to select a topic or line of inquiry that falls under the umbrella of Fact & Faith.
We, Kristen Orser, Maureen Ewing, and Kate Dougherty, would like our selected Writing & Rhetoric II students (2 from each class, 6 total) to present Fact & Faith essay findings at a Critical Encounters event symposium at the end of the Spring 2010 semester.
We’d like their bound essay abstracts (all three classes bound together) and their bound essays (one book for each class) to be available to Columbia faculty, staff, administration, and students, and for our students’ friends and family who attend the event.
As writing instructors, we encourage our students to imagine their intended audience. We believe that creating an actual audience – the readers of their texts and those who attend their symposium – will aid our students’ learning and make their writing more purposeful to both them and the Columbia College community.
We request the mini-grant funding to cover the cost of binding students’ abstracts and essays. The expenses are outlined below, but we’ve found an economical way to bind through Xerox: Xerox prints for free, and it costs just $1.55/copy for binding. Remaining funds would allow us to document and archive the project for future use for Critical Encounters and the First Year Writing Program. We’ll need to pay a videographer to document the symposium and pay the library for archival quality inks and paper to document our students’ writing. We’d like to also provide modest catering at the event.
Interim First Year Writing Program Director Dr. Ames Hawkins has agreed that the program’s budget will match funds in support of the Critical Encounters mini-grant application.
2. A statement regarding the way your event/project will enhance Critical Encounters.
By publishing our students’ researched discovery essays in response to Critical Encounters: Fact & Faith, Columbia will obtain documentation that reveals how students engage with Critical Encounters’ topics in a meaningful way. Their writing will show that Critical Encounters is worthwhile fodder for a writing classroom. Our students’ writing and their recorded symposium will create a digital archive for the library.
Our students will communicate about their essays and Fact & Faith throughout the semester through a blog. We can link their blog to the Critical Encounters blog, which might be of use to other classes engaging Fact & Faith. These classes might have reason or interest to attend our symposium.
The symposium will offer a unique opportunity for first-year students to be involved in Critical Encounters. As they continue with their coursework at Columbia, they will have an enhanced understanding of the time and effort that goes into creating a Critical Encounters event. They will feel more connected to Critical Encounters and more likely to become involved in the initiative as an active participant and audience member in the future. Their involvement in the symposium will also encourage other students, friends, and family to attend the Critical Encounters event. The students’ family and friends will have a better understanding of the sort of community that Critical Encounters helps foster at Columbia.
3. An estimated budget.
We’d like to bind our students’ essays, as well as abstracts for their essays, so that they are available both for the students who’ve written them and for other interested parties – the students’ family and friends, other Columbia students, Critical Encounters faculty and staff, other Columbia faculty and staff, and Columbia administration.
Xerox prints for free. It costs $1.55 to bind each book.
Kate Dougherty’s Enhanced Writing & Rhetoric II: 12 students
Kristen Orser’s Writing & Rhetoric II: 18 students
Maureen Ewing’s Writing & Rhetoric II: 18 students
Total: 48 participating students
Expenses
1.) Book collecting the students’ completed essays:
Each of the three classes will have their own books, so each unit below is a multiple of three.
(48 students + 3 instructor copies) x $1.55 binding fee = $79.05
15 faculty/staff/admin. (5 available for each class) x $1.55 binding fee = $23.25
24 friends/family/students (8 available for each class) x $1.55 binding fee = $37.20
Subtotal: $139.50
2.) Book collecting students’ abstracts:
(48 students + 3 instructor copies) x $1.55 binding fee = $79.05
10 faculty/staff/admin. x $1.55 binding fee = $15.50
10 family/friends/students x $1.55 binding fee = $15.50
Subtotal: $110.05
Subtotal to print books: $249.55
$250.45 remaining for #3-6.
3.) Videographer at symposium:
Covered by Critical Encounters budget (according to Eric Scholl, First Year Writing plenary, 1/22/10).
4.) Advertisements (10 posters on gloss paper that advertise symposium with Columbia logo, Critical Encounters logo, and First Year Writing Program):
Covered by Critical Encounters budget (according to Eric Scholl, First Year Writing plenary, 1/22/10). We plan to contact CPS with text and images 4-6 weeks before we’d like the posters printed during Week 6, Monday, March 1, 2010.
5.) Invitations for Columbia faculty, staff, and administration:
Covered by Critical Encounters budget (according to Eric Scholl, First Year Writing plenary, 1/22/10). We plan to contact CPS with text and images 4-6 weeks before we’d like the posters printed during Week 8, Monday, March 15, 2010.
6.) Catering (fruit, cheese, crackers, drinks for 60-70) at symposium: ____________
Any remaining funds could be reserved for additionally requested texts of student writing.
Interim First Year Writing Program Director Dr. Ames Hawkins has agreed that the program’s budget will match funds in support of the Critical Encounters mini-grant application.
Critical Encounters Fellow Eric Scholl's response to our application
Kate Dougherty: through Week 6
Tuesday, March 2, 2010
Taking the Time to Breathe
Their Field Notes 1 were due today, and do to the snafu, they had to peer review each other's rough drafts over the weekend and email comments. This was mildly successful because not everyone did what they were supposed to do. Shocking!
I love when I'm reminded how nice it is to sit back and breathe in class, to just talk about how things are going, to ask questions, to reflect. It's nice to not rush through something like we've been doing (too many ingredients to get chopped into the pot at once).
So, we did a great free-writing exercise today so that they could talk about fact & faith and their topics. The first day of class we made a list of the possible topics that could fall under fact & faith. Today, I wanted to really dissect what "fact" and "faith" could mean. I wrote "Fact" on one side of the board, then "&" in the middle, and "Faith" on the other side. Then i drew a dotted line down the middle.
For "Fact," they came up with:
meaning of life
realistic
statistics
logic
science
evidence
real
absolute truth
perception
permanence
stability
concrete
assurance
doubt
For "Faith," they listed:
mysterious
meaning of life
unrealistic
belief
conceptual
intangible
interpretation
individual
subjective
evidence
fact
trust
hope
religion
science
And under "&" in the dotted line/in between:
evidence
perception
assurance
doubt
Then, I asked them to write "Fact" "&" "Faith" again to start a new page. I asked them to do the same thing for their topics. How does {your topic} break down under "Fact" "&" "Faith." What are the evidence, truths, perceptions, etc. of your topic? What are the beliefs, intangibilities, hopes, etc. of your topic?
A few shared their brainstorming, and I reminded them that their topics should look large and complex and complicated. How will they take a few of these and explore in detail in their research and writing?
A brief note about the readings:
Their readings the past few days were centered around different academic approaches: literary, psychological, and sociological. The students really reacted strongly on Oasis against the sociological, the language used, the statistics. I brought this up and asked/urged/implored them to not turn away from a source just because it's language is different than what they use. What's the audience for the source? If they are writing for other sociologists, doesn't that language make sense? It's so easy for students to turn away from great academic sources because they are intimidated. I'm hoping they challenge themselves/I challenge them to look for a wide variety of sources, not just the easy to read in 5 minutes.
PS. The student who got so upset at me two weeks ago, "I didn't sign up for a religions class," withdrew.